Steven Kasher Gallery_Leonard Freed: Six Stories / Renay Elle Morris_ September 2017
Hassidics of Brooklyn, 1954
Black in White America, 1963-65
Israel, 1962 and 1967
As fellow Magnum photographer Cornell Capa expressed in The Concerned Photographer, “… he (Leonard Freed) was a photographer of ordinary people going about their every day lives – at home, at work, and in the streets. He has a keen eye for social hierarchies and, in part because of his working class origins; he felt great solidarity with outsiders, and the oppressed.”
No doubt, it was a bittersweet moment as I walked into the Steven Kasher Gallery, on that balmy evening_14 September. First sight was Leonard Freed’s wife and widow, Brigitte, surrounded by family and friends. Nestled by the door, she greeted guests with her warmth and charm as they arrived for the opening night of Leonard Freed: Six Stories. Holding court, she held in her heart the memory of her partner in life and work_ guardian of his galaxy.
Leonard Freed was a wonder. His artistic and intellectual sensibilities drawn from a background in fine arts, and a desire to reveal and expose the struggles of civics and society was his raison d’être. It found its place with a merging of the two. His passion was revealed in photography, subscribing to ideals of Magnum Photos, and its co-founder, Henri Cartier-Bresson’s credo. “Magnum is a community of thought, a shared human quality, a curiosity about what is going on in the world, a respect for what is going on and a desire to transcribe it visually.”
Freed’s ability to capture “the art of the image” with such fierce reverence earned him respect worldwide as a leader in photojournalism_documenting a world of conflicting and misunderstood social norms_complete with a legacy of images that covers six decades of work. The Six Stories are a masterful display of that documentation. Reflected in the 75 vintage black and white images on exhibit is his innate sense of responsibility to bring a voice to politically and socially challenged individuals, along with a mission to change that dialogue.
”This is the first exhibition that elucidates in depth Freed’s six earliest and most personal stories.” _The Steven Kasher Gallery
This series, on display until 21 October, offers a view into Freed’s world. From his personal challenge to understand his Jewish roots by documentation of a Hassidic community_to the racially charged images in Black in White in America, the viewer gets to “go along for the ride”_ to bear witness to his ability to bring back to life stories of bygone eras_to preserve those decisive moments that will forever be embedded in our historical landscape.
And bittersweet? My first interview with a Magnum photographer was Leonard Freed. We became friends. In 2006, the year of his death, I spoke at his eulogy. Memories never to be forgotten. /R.
Leonard Freed: Six Stories
Steven Kasher Gallery
515 West 26th Street New York, NY 10001
For further info: contact Cassandra@stevenkashergallery.com
Ensconced in the northern coastal jet-setting playground of Porto Cervo, Sardinia, famous for its jeweled-toned sea, sits another gem portside_not to be overlooked.
While the buoyant glitterati ready yachts and great sailing vessels for adventures in paradise_ toasting to the magnificence surrounding the Bai of Sardinia, and the curious gather for celebrity sightings along the The Costa Smeralda, the Promenade du Port aka The Costa Smeralda Hub_ lies several meters inland from the mighty seafaring crafts. Designed as a “luxury space where people can gather day or night”, it is complete with international art galleries, high-end retailers, bars and fine dining establishments, and an array of events_ all with first class offerings.
Paci Contemporary Gallery is among those glamorous offerings. Sitting pretty, shade side, the Paci Gallery sets its own course. Currently playing host to several photographic legends on both sides of the camera with an exhibition entitled “Moda and Cinema”, I was delighted to have the opportunity to view this collection of some of the most iconic women of the silver screen. The beauty was delivered_san aucun doute, not only detailing trends in fashion and makeup, but the posture, allure and enchantment of decades past, now preserved forever in archives, and brought back to life as the current vogue dictates. While the exhibition is well suited to it’s locale (Prince Aga Kahn’s creation) Paci’s presentation of the provocative and seductive is an engaging selection by the likes of such photographic luminaries as Douglas Kirkland, Bert Stern, William Klein, and Terry O’Neil, among others.
What is evident as you make your way around the gallery is how the photographers are aligned in the use of a “language”. To connect with their subject, the photographer must secure trust. The language is flirtation_ both visual and spoken, and very subtle, as it is the most important element in this photographic process. As an example, and most notably, Bert Stern has captured his star_ Marilyn, allowing the viewer to access the defining moment where intimacy is captured. And the result from Stern is clear in the outcome_ Monroe’s vulnerability. With vulnerability revealed, the intention is a success.
You can still catch the works, as they are on display until 30 September.
For additional information on upcoming exhibitions visit:
firstname.lastname@example.org / pacicontemporary.com
Promenade du Port_Via Aga Khan1 Porto Cervo, Italy
Image, courtesy of Paci Contemporary Gallery_Porto Cervo / 2017
For decades, Valera and Natasha Cherkashin have added layer upon layer of philosophical and political ideology to their masterful works of photographic genius. With exhibitions, lectures and talks on an international stage, the art of their images have recently been compiled into a 254 page publication entitled, Actions, Happenings and art performances 1962 – 2016 _ Night with a Pioneer Leader, which delves into a history of 2 artists_a husband and wife team, and the legacy of their talent. What inspires them may not offer an easy answer. Perhaps it is a fearless energy to defend beliefs, or a lifetime of a Soviet regime. Perhaps it was Perestroika, the political movement and the “openness”policy that led to the reforms of the Soviet political and economic system during the1980s that allowed for such ambitious work.
2017, and we turn to NEW DRAWINGS_a new series. Compelling, simplified lines detail this new work. Like a fingerprint, no two are alike. Yet, they engage you and hypnotize you. Why now, and why this direction? This mystifies me. These works are “anti-chaos”_ far from anything we have seen from them before. I am reminded of Edvard Munch’s “The Scream”. In my minds eye, I see the face, but above all, it is his wavy lines of color drawn on paper that grips me. Is this, the Cherkashin’s return to the pleasures of life drawing, sketchbooks, student impressions before the intrigue of cameras and film came into play? In conversation with Valera, he explained that he intuitively went to the origins of his drawing, before professional training, with the desire to catch that primary element, a thrilling feeling of a simple touch to the paper. It was joy from a simple touch and moving a pencil over a piece of paper, while anticipating the source of something important and mysterious. The beginning of something infinite and desirable, but still completely unknown.
Lines provide the foundation to every form of art. It reveals forms, displays length, width, tone, and texture. My consideration is that the Cherkashin’s intention in these drawings is to remove oneself from the chaos of modern times and find solace in simplicity. In addition, as line itself denotes direction, it is fair to state these lines are visual directions which may be seen as a metaphor for contemplation on the orientation of one’s life_ a course that is extremely personal to an artist as well as each and every viewer.
The work is powerful and profound.
“Untitled 1” / “Untitled 5”
“Untitled 24” / “Untitled 23”
Contact information / website www.cherkashinart.com / email email@example.com
Actions, Happenings and art performances 1962 – 2016 _ Night with a Pioneer Leader Natasha & Valera Cherkashin
Book information: www.blurb.com/bookstore/invited/6568799/884c0a46741dc84b45aea55e107d90c7e536b63c
Thomas J. Watson Library / The Metropolitan Museum of Art _New York, NY USA
Available in Russian. Coming soon_English Language Edition.
Dear Mr. McBurney,
On Wednesday, 04 January of this year, I had the privilege of attending your marvelous production of The Encounter at the John Golden Theatre in NYC, where I live. Needless to say, I was much enthralled by your heroic performance of photojournalist Loren MacIntire_and the dramatic appetite for extreme audio and visual production elements that cleverly allowed the audience the sensory perception of a intriguing and true story of a man, an explorer, a seeker, well told. So bravo, well done!
Perhaps, my interest was so intense, due to the fact that I, too, am a photographer_and journalist, and have had the opportunity to cross some of the indigenous regions of the Amazon.
My experience began after a flight to Iquitos, Peru where I journeyed up the Ucayali River in only modest wooden crafts with a marvelous guide at the helm and several other passengers.To explore the Amazon, its tributaries, natural wonders, and extraordinary communities left me breathless. In addition, before the river excursion, my friend and I were greeted by Walter Saxer at La Casa Fitzcarraldo in Punchana Iquitos, for a stay before our Amazon venture. Saxer’s beloved “leisure refuge”, was complete with all the operatic sounds and film recordings of Werner Herzog’s grand
film_Fitzcarraldo of which was filmed on location in the Peruvian Amazon and was the production’s home, and base of operations for the cast and crew.
So thank you once again, for your presentation of The Encounter. I have attached a photo of “My Encounter” for your enjoyment. /R
Image copyright: Renay Elle Morris / photopresseimages.com / 2016
New York, NY – November 2016
NYC’s PDN PhotoPlus Expo Rocks. Keynote speaker Graham Nash sets the stage.
New York City is a fabulous place to be especially if you are a photo enthusiast. The recent PDN PhotoPlus International Conference + Expo (October 19-22) offered an amazing, well-defined image-based agenda that captured the attention of shooters worldwide. Welcoming over 21,000 image-makers, the event, held yearly at NYC’s Javits Convention Center, did not disappoint. Those eager to set eyes on a never-ending assortment of new cameras and equipment, software and hardware, and a bevy of top-of-the line digital capture products ready for market, had the opportunity to participate in a series of talks and walks, workshops, product demonstrations, lectures and portfolio reviews _ all designed for the amateur as well as the pro.
A crowd pleaser for sure, was a “Keynote Conversation” featuring two icons in music and photography. Rock legend Graham Nash (Crosby, Stills, Nash and Young) revealed private thoughts and public commentaries on the music industry and his love of the photographic medium with Rolling Stone’s chief photographer, and musician himself, Mark Seliger. And with Seliger, can it get any better? The two, relaxed and unrehearsed, captured the audience’s attention with an impressive and spontaneous delivery of ideas and thoughts about both mediums. Nash, years before he garnered fame as a rock icon, held his first camera as a child and never lost interest. Storytelling was a big part of the conversation while his images were displayed on 2 large screens. They were poignant and deeply personal, and reflected the sensitivity of an artist with a soul deep and caring.
“It’s not the process. It’s the vision.” _ Graham Nash
2017 Dates: 26-28 October / Javits Conventions Center, NYC / photoplusexpo.com
images 1_ copyright / renay elle morris
images 2, 3_ copyright / graham nash
A touch of the provocative filled the Stable Gallery in Ridgewood, New Jersey this past April as David Derex hit a milestone with a retrospective celebrating 50 Years of photographic imagery. No stranger to the celebrity world, he worked the room of curious onlookers with joy and spontaneity, as they were welcomed into a beguiled world of bewitching beauty. Aptly titled, “Guys and Dolls” – Character Studies and Glamour Portraits, the gallery’s 2 floors revealed images of actors and performers; character types with familiar grins and poses captured in time while others, those of fashion models, beckoned visitors to take a closer look – revealing Derex’s style of seductive post production execution.
Say’s Derex, “I aim to seduce viewers with aesthetics – vitality and unity – in order to sensitize them, as they recognize and take pleasure in their own physical, emotional, sensory, or spiritual vibrations.
Derex’s work is of a painterly quality, achieved with hours of tedious attention to detail. He challenges and champions the use of the photographic medium to achieve precise and colorful options to fit the range of his subjects, and his interest in portraiture is a strength that is created in many genres, including family and pet studies. As an expert in the subject of framing, Derex offers solutions for presentation for a range of clientele. And, in his publication of Studio Portrait Photography in Black & White,he discusses the importance of lighting in photography, spelling out in great detail a plethora of instructive information for studio photographers and for the amateur as well.
Derex is a member of the Professional Photographers of America, and past President of its New Jersey chapter.The organization has bestowed additional honors on him in consideration of his photographic achievements.
For more information, log on to davidderex.com
All images copyright David Derex 2016.
The 16th of April proved to be a beautiful Saturday in Manhattan. I found my way into Madison Avenue’s Gagosian Gallery where the glitterati hold court. The event du jour was a conversation with photographer Jean (Johnny) Pigozzi and NY Times best selling author, Derek Blasberg. The French born and Harvard educated Pigozzi was in town to reveal moments; private and public from his new book Pool Party: Sixty Years at the World’s Most Famous Pool. Blasberg engaged Pigozzi in lively talk, revealing Pigozzi’s quick and passionate humor and his photographic love of “capturing the moment” – referencing one of the great photographers, Robert Frank, whose photojournalistic efforts defined an era. Gagosian’s walls hosted images of delicious soirées at the Villa Dorane, Pigozzi’s manor in Cap d’Antibes, France. He enticed the audience with scandalous tales of celebrity romp. A “to die for invite up to the villa” was most likely on the minds of the standing room only crowd that sipped champagne while Pigozzi set stage.
My life in the art world is very simple. I’m very focused. I enjoy it. I have a lot of friends and artist friends. It’s an industry that I enjoy, and I think we can agree that it’s much more interesting than, for example, the roofing business. —Jean Pigozzi
“Jean Pigozzi’s pictures are a great way to start collecting art and photography, and they represent an intimate, insider’s point of view to a rarefied world.” – Derek Blasberg
*The state of exhilaration, heightened awareness even giddiness one experiences by travel itineraries designed and offered by VoomaGo. Stoked. Lucky, lucky me. I am watching the sea reflect hues of intoxicating blues off the coast of Trapani, uninterrupted, sans for echoes of bathers’ delight. I am present in this moment, drawn to faint whispers of […]